Gadling Gear Review: Two Camera Bags From Lowepro

by Kraig Becker on

When you invest a considerable amount of money into a good camera and a set of lenses for travel, it is important to also spend a little extra cash to get a quality camera bag as well. A good bag is not only comfortable to wear but also provides plenty of protection from accidental damage while also managing to keep all of your gear well organized and easy to access. That can play a big difference in whether or not you get the chance to capture that perfect shot or miss it altogether.

Lowepro is a company that has been designing excellent camera bags for travel and outdoor activities for years. Their bags are popular amongst professional photographers and amateurs alike because they always offer great quality and incorporate certain elements that indicate the designers know their customers’ needs very well. Here are two new bags from Lowepro that are sure to be popular options with active travelers and outdoor enthusiasts.

Transit Backpack 350 AW ($119.99)
Photographers in the market for a versatile camera bag with plenty of room for all of their equipment need look no further than the new Transit Backpack. The bag features plenty of pockets, interior compartment space and mesh organizers to hold camera bodies, multiple lenses, memory cards and a variety of other gear. A small tripod can even be lashed to the side of the pack thanks to built-in straps designed for that very purpose. On top of that, the pack has a sleek, attractive design that not only looks good, but also puts everything you need right at your fingertips.As with most of Lowepro’s bags, the Transit features the company’s UltraFit system, which makes the interior highly customizable. Through the use of removable panels – not to mention plenty of Velcro – it is possible to configure the interior in numerous ways. This comes in handy when you’re carrying an extra longer lens for example and you need to change the configuration to accommodate that particular piece of gear. It also means that no matter which type of camera and lenses you carry, the bag can be adapted to fit your needs. This option gives the Transit a bit of future-proofing since you can modify it to fit your gear even as it evolves over time.

Despite the fact that the Transit is designed to carry a lot of heavy equipment it also extremely comfortable to wear, even when fully loaded. Lowepro has used thick, well-padded straps on this backpack and it certainly helps lessen the stress of lugging all of that gear around all day. They’ve even cleverly integrated a side access panel that allows you to easily get to the interior of the pack without having to take it off. That makes it a breeze to either quickly grab or stow your camera while on the go.

Other nice touches on this pack include a laptop sleeve large enough to hold a 15-inch computer and a built-in weather cover that can protect the bag, and its precious contents, from the elements. An interior pocket comes equipped with a handy key clip and is the perfect size for carrying a smartphone or a few accessories as well.

The Transit Backpack is a bit bulky (it tips the scales at 2.4 pounds) but that is mostly due to the thick, high quality padding used in its construction. Still, if you’re in the market for something a little more compact, you may want to check out Lowepro’s Transit Sling, which offers a similar design in a smaller package.

With a price tag of $119.99, the Transit Backpack is an excellent deal for travelers looking to carry all of their camera gear in a safe, organized and stylish manner. Whether you’re shooting photos around town or heading to the far side of the globe, this bag will make an excellent travel companion for many years to come.

DryZone DF 20 L ($149.99)
While the Transit Backpack is designed to meet the needs of a wide variety of photographers, Lowepro’s other new bag is much more focused on a specific market. The new DryZone DF 20 duffel is aimed squarely at photographers who spend a lot of time in and around water. The bag is perfect for the outdoor action photographer for instance, or for those who find themselves in a kayak or on a scuba boat on a regular basis. While that may seem like a small segment of the overall market, it is a group of photographers who demand an extra level of protection for their gear and have their own specific needs that aren’t generally met in most standard camera bags.

Since this duffel has a special focus on keeping moisture out, it has been built with an exterior shell that incorporates the latest lightweight and technical waterproof fabrics. It also features a roll top enclosure that provides easy access to the interior of the bag but then seals up tight when it’s ready to take on the elements. As a result, the DryZone carries an IPX-6 waterproof rating, which means it should keep out most rain and heavy splashes, but is not capable of protecting its contents if it gets fully submerged.

Inside the waterproof shell is a second bag that is built to carry camera gear. It has a fully customizable interior that can be adjusted to fit the needs of what ever equipment you happen to be carrying at any given time. This extra pack is actually convenient for moving all of your gear from one carrying case to another in a quick and easy fashion, making it possible to go from your luggage directly into the waterproof bag for instance. This secondary bag works in conjunction with the outer shell and provides yet another level of protection for our expensive gear.

I like the “grab and go” feel of this duffel, although since it is so squarely aimed at a specific market it obviously isn’t built for the average traveler. This isn’t the kind of bag you just throw over your shoulder and hit the road as it was never built with that purpose in mind. But if you do happen to fall into the niche that Lowepro is aiming at with the DryZone, you’re likely to be very happy. This duffel provides plenty of protection from water while also allowing you to easily carry your equipment with you on your next aquatic outing. My only complaint about the bag is that it has a single exterior pocket that could be very useful, except it is so small that you can’t put much of anything in it at all. I’d like to see that pocket expanded for more capacity in future iterations of the DryZone in order to give it a bit more usefulness.

The Dryzone carries a price tag of $149.99, which may seem a bit high at first glance. After all, this is a bag that has a very specific focus and it won’t be all that useful when you’re carrying your camera gear around in an urban environment or on a trail. But if you do need a camera bag for use around the water, you won’t be disappointed here. Lowepro has designed a product that will keep your camera and lenses dry and give you a level of versatility that isn’t found in similar products from the competition. Besides, if you’re going to be using your expensive photography equipment around the water, $150 is a small price to pay to ensure that it stays safe.

Gadling Gear Review: Acme Made Camera Bags

by Kraig Becker on

One of my biggest concerns when traveling is making sure that my expensive camera gear is well protected from harm. In the hustle and bustle of packing, rushing to the airport and flying to our eventual destination, a lot can happen to our photography equipment, even when it remains in our possession. There is nothing worse than embarking on that trip of a lifetime only to find your camera isn’t working when you arrive.

A good camera bag not only helps prevent accidental damage to our gear but also keeps us well organized too. Carrying extra lenses, memory cards, external flashes and other photography equipment can be a bulky and cumbersome affair, but a good bag can lighten the load and make it easy to find all of those important items when you need them. A well-organized photographer is less likely to miss the important shots and do a better job of capturing the moment.

New camera bags from Acme Made offer travelers the protection and organization they need in stylish and distinctive packages. Their Montgomery Street line of packs have a retro look with modern sensibilities that allow them to stand out in the crowd without sacrificing function for form. Here’s a look at three of these bags that were designed with the traveling photographer in mind.

Montgomery Street Backpack ($99.99)
The largest entry into the Montgomery Street line-up is the Backpack, a versatile bag with plenty of room for just about everything you’ll want to take with you when traveling. Designed for carrying a DSLR or the increasingly popular compact system cameras (CSC), this pack offers well-padded compartments and pockets for camera bodies, lenses and more. A dedicated laptop sleeve is perfect for carrying a 13-inch MacBook, ultrabook or tablet, while organizational pockets hold travel essentials such as a smartphone, passport and other important items.

Putting this bag to the test in the field left me very impressed with its overall quality. It is built with fabrics designed to resist the wear and tear that comes along with travel, while still managing to provide ample protection for all of the important gear inside. Magnetic snaps and high-quality zippers seal up pockets and compartments nicely, while Acme’s FlexFold System allows users to adjust and expand the interior to their needs. When not in use, the Backpack also folds down to a compact size, making it easy to store and transport. The Backpack is capable of carrying a CSC camera and two extra lenses or one DSLR and a single additional lens. That makes it a perfect choice for most travelers but could be a bit too confining for those with more photography gear. This won’t be a problem for most, however, and when you add in the ability to carry a laptop or tablet – as well as all the cables, batteries and chargers you’ll need for the road – you end up with a pack that performs above and beyond expectations.

Those who like to travel light and are looking for a stylish, compact bag will absolutely love the Montgomery Street Backpack. It provides ample storage space for plenty of gear and its versatile nature ensures that it can accompany us on many different travel adventures.

Montgomery Street Courier ($79.99)
Acme Made’s Montgomery Street Courier shares much in common with the larger Backpack. There is a distinct look about it that quickly identifies both bags as being part of the same line and their feature sets are very similar. The Courier is capable of carrying mostly the same load as its larger counterpart, offering room for a compact camera system body and two extra lenses or a DSLR and one additional lens. It also offers organizational pockets for travel documents, a smartphone and other items that you’ll want to keep close at hand. This bag even includes the FlexFold System, which makes it a breeze to expand the interior to hold more items when necessary.

But the Courier is designed to be a smaller camera bag than the Backpack and as such, some compromises had to be made. The biggest difference is that the Courier doesn’t have enough space for a laptop. It does include a quilted sleeve with enough room for a tablet such as an iPad, but travelers using this bag will need to leave their laptops at home.

The other main difference between the two bags is that the Courier is a sling pack designed to be worn over the shoulder. This adds a level of accessibility that isn’t found in a backpack, as it is easy to grab a camera, lens or new memory card without ever taking the bag off. This makes it a very convenient option for travelers, who often need to access their photography equipment and other gear on a moment’s notice.

The Courier is made from the same high-quality materials as the Backpack and features the same zippers and magnetic snaps as well. For all intents and purposes, it resembles the larger bag in every way, just in a scaled-down fashion and with a shoulder sling. This makes it a great, yet uncompromising, alternative.

Montgomery Street Kit Bag ($59.99)
For the ultimate in compact camera packs, the Montgomery Street Kit Bag is the way to go. While it doesn’t look exactly like the Backpack or Courier, the family resemblance is still undeniable. Like those other bags, the Kit Bag is made of tough, durable fabrics that are designed to weather the challenges of travel and stay attractive and stylish for years to come. The interior is lined with quilted fabrics to protect its contents and the twin zippers that run along the stop are smooth and easy to operate.

This small camera bag is especially useful for CSC cameras, providing space for a body and two lenses. It’ll also hold a DSLR body and a single lens as well, although larger zoom lenses may be a bit cramped. Exterior pockets can accommodate a smartphone and passport, although unsurprisingly there isn’t much room for anything else.

Although the Kit Bag does come with a shoulder strap, I found this pack worked best inside another bag. It is perfect for storing camera equipment when checking luggage or for safe storage inside a larger backpack. It is the perfect option for those who don’t carry a lot of camera gear with them when they travel, but still want a bag to keep things safe and organized.

All three of these camera bags are excellent choices for travelers looking to take their precious camera gear with them on the road. They are all affordable, extremely well made and provide plenty of versatility. Serious photographers will want one of each as part of their gear options but all three are individually outstanding as well. Each fits its own niche and you can’t go wrong with any of the bags in the Montgomery Street lineup.

[Photo Credit: Acme Made]
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Gadling Gear Review: Booq Python Courier Camera Bag

by Kraig Becker on

As digital SLR cameras continue to grow in popularity, new buyers will inevitably be looking to purchase a good travel bag to protect their investment. A high-quality camera bag not only allows them to tote their gear around safely, but also keeps it well organized and close at hand. It doesn’t hurt if that bag provides a healthy dose of versatility and happens to look great too.

The Python courier from Booq certainly meets that description and then some. This sling bag is made of high-quality ballistic nylon that is both water resistant and incredibly durable. In fact, everything about this pack screams quality, including the thick interior padding, rugged buckles and seat-belt style nylon shoulder strap. The result is a camera bag that should securely and comfortably carry all of your camera gear for many years to come.

While the Python’s exterior is certainly impressive, Booq hasn’t skimped in any way on the interior either. The cavernous main pocket has plenty of room for a digital SLR body with an attached lens, as well as up to four more additional lenses. Adjustable padded panels give the pocket a measure of customizability to accommodate a variety of different equipment sizes. A second internal organizational pocket keeps other items, such as spare batteries, memory cards and pens, neatly in place, while a handy clip ensures you won’t misplace your keys while traveling either.

A third pocket on the back of the bag features a water-repellant zipper and is large enough to comfortably carry an iPad, MacBook Air or other tablet or small laptop. Those devices have become indispensable tools for professional photographers and travelers alike and the inclusion of this well-padded, extra pocket is a nice touch on the part of Booq. I found that while testing this pack, having this extra pocket actually made it possible for the Python to serve as my carry-on bag. With plenty of room not only for my camera gear and iPad, but also an iPod, smartphone, earbuds and just about everything else I needed for a trip, I generally didn’t see the need to carry anything else.Booq’s attention to design extends to the look of the Python as well. At first glance you wouldn’t suspect that this is a camera pack at all, as its general outward appearance resembles that of any traditional messenger bag. In fact, the Python can actually become a full-blown courier pack when needed. The inner padding that serves to protect and organize camera bodies and lenses can actually be completely removed to allow other items to be stored inside. That means that this pack can pull double duty, acting as a workbag for day-to-day use and a tough camera bag when on the road.

I found the Python to simply be a joy to use. It is as comfortable and durable as any camera bag I’ve ever put to the test and far more organized than simply throwing your lenses and SLR body into a daypack, which is often my typical modus operandi. Booq has a legendary reputation for creating high-quality products and this bag more than lived up to that reputation. Not only have they created a bag that looks great and provides plenty of versatility, but it is also logically designed for ease of use as well. While I personally prefer a backpack for most of my travels, this is a sling pack that definitely won me over and has me reconsidering my options for future trips.

I’d be remiss in writing this review if I didn’t mention Booq’s Terralinq program. Each of the company’s bags comes with its own unique serial number ID and bar code displayed on a metal label somewhere on the pack. When the bag is registered with Booq, that serial number can be used to connect an owner with his or her gear in the event that it becomes lost or stolen in the future. Of course, we all hope that we never need such service, but it is nice to know it is available just in case.

If there is a knock on any of the products offered by Booq it is likely their price. The Python retails for $179.95, which definitely puts it at the higher end of most camera bags on the market. But much like the various options for buying luggage for your travels, you often get what you pay for. Anyone who has ever purchased cheap luggage knows that it typically doesn’t last long and you end up replacing it sooner rather than later. The same holds true for a bag like this one. The Python is likely to last you a lifetime, while a less expensive bag will show the wear and tear of travel much sooner. Besides, after spending hundreds, if not thousands, of dollars on your camera equipment, don’t you want to protect it with the best bag possible? Yes, the Python by Booq is more expensive than some of its competitors, but it is also worth it in every way.

Gadling Gear Review: Quiksilver Shutter Speed Camera Pack

by Pam Mandel on

In 2011, I had the spectacular good fortune to go on two trips that fit the “once in a lifetime” category. One was to Antarctica, the other to Tanzania. Both were the kind of trips where you want to take your best photo gear, weight be damned, because, dude, how likely are you to be twice in Penguinistan or Elephantlandia? So schlep my gear I did, my heavy Nikon, the big telephoto, a video camera, a pocket camera, a zillion miles of cable, pockets full of camera memory and spare batters and oh, yeah the laptop for additional storage and backup.

Hauling that much electronica across the planet and back has its challenges — before I had a decent camera pack, I used a standard day pack which plunged, before my very eyes, from a hook on the back of a door in Bangkok to a hard tile floor. The result? An irreparable 200 lens and a somewhat depressed traveler. Thankfully, it was the end of the trip.

I now use a pack especially designed for camera gear. I’m partial to my Kata Digital Backpack. I tried the Timbuk2 messenger bag — it’s nice but it doesn’t really fit my geometry. Quiksilver — yeah, that surf brand — now makes the Shutter Speed pack, a bag designed to get your gear from the top to the the bottom of the planet in safety. The short wrap? This is a great bag for transit, but I’m not sure it makes the cut for regular use.

To find out if this is the bag for me, I gathered my usual kit and stowed it in the Shutter Speed. There are loads of pockets, internal, external, zippered, mesh, I had no trouble getting my complete kit, flash included, into the bag. And it was all very well organized. I moved the Velcro secured pads around so they held my gear in place and zipped the bag shut. Nice. My stuff didn’t rattle around, it was very secure. I didn’t drop test it, I’m just too traumatized by the last time that happened, but I feel like the camera would survive the fall.

I also put in a binder, a laptop, a water bottle, and a few other odds and ends. Everything was beautifully organized. There’s a security pocket at the small of the back for your stealables (I mean beyond your equipment stealables) — you’re not going to have your wallet or passport lifted if you stow them there. There’s a stowable rain cover, some lashing straps on the outside for your coat, and did I mention the zillions of pockets? All good.I also really like what I’m going to call the chassis on this pack. It’s got fat padded straps and a padded waist belt. It’s all very adjustable and once you’ve got it cinched to fit, the pack feels secure and close to your body — it’s just not going anywhere. You can race for a bus with this thing on and it’s not going to be swinging around. You could take your gear on a long hike and the weight would be where you want it to be. All good.

But I’m not crazy about how you get your gear in and out of the Shutter Speed. You have to place the pack on its front — think suitcase with straps attached to the top. The back opens up to reveal all your gear. You can’t have your pal pull the camera out of the pack while you’re in it, you will have to take the pack off and then open it up.

Some of the Velcro pads are sewn into place, making the gear bucket a little less customizable than I’d like it to be. I wanted to place my camera, with the big lens mounted to it, at the bottom of the pack. No go. It needs to sit in the center because I can’t move the pads to accommodate the camera body. Furthermore, there’s no obvious place to lash on a tripod. This seems like a big oversight. You can use the straps on the front, but I couldn’t figure out a really efficient way to do this. It could be just a matter of trying a few different things, but for a pro gear pack, it seems like this should be more intuitive.

My final issue is that the bag is, for my kind of use, a little too specialized. There’s no great place to stow my lunch, the front pockets are just too small and flat for much more than a power bar or two. I travel with a roller bag and a day pack, and when I’m in transit, the day pack carries my camera, snacks, my travel documents, a clean shirt, a toothbrush… the kind of stuff you need should your trip go wrong or should you be compelled to check your bag. I imagined what a hassle it would be to have to extract stuff from the main body of the pack on a crowded airplane. That scenario didn’t go well.

I’m not dissing the pack at all. As I said, it seems like a great way to haul all that gear from point A to point B and to have the gear be secure in transit. But you need to think about what you’re doing with your gear at your destination. If you think you’re going to be continually packing and unpacking it as you shoot your way across the Serengeti or the ice, well, I’d want a day use bag, too. Your mileage may vary.

The Shutter Speed pack retails for 175.00 directly from Quiksilver. Expensive, but not as expensive as replacing that telephoto that got sacrificed to gravity in Bangkok.

Kata 3N1-33 professional camera backpack review

by Dana Murph on

Selecting a camera bag can be a daunting process. There are literally hundreds upon hundreds of options, and even bags that aren’t specifically designed with cameras in mind can be altered and repurposed for use with your setup. Kata is a respected name in the bag industry, offering quite a few travel packs and a handful of dedicated camera packs. Where they stand out is their rigidity and flexibility. The company’s packs are stronger, stiffer and more rugged than the average bag, and the prices show it.

The Kata 3N1-33 is its highest-end sling / torso pack that’s designed for hauling around a robust DSLR rig. It’s not nearly as bulky as some of the backpacks we’ve seen, but the internal compartments are arranged in a way so that you can carry around a 15.4-inch (or smaller) laptop, a DSLR (with or without battery grip), a long-range zoom lens, five or six other lenses, a camera flash and a handful of chargers, batteries, pens, keys, business cards and any other small essentials that you typically would carry on a business or travel shoot.

But what truly sets this bag apart in our mind is the handling capabilities. You can wear this pack a half-dozen different ways: as a standard backpack, as a left or right-handed torso pack, or in a x-strap configuration that’s a hybrid of the two.

Wondering how this bag fares against the competition, and if it’s really worth the $130 or so that it’s selling for? Read on for our full review.

%Gallery-112423%With one look at the 3N1-33, you’ll know that it’s a very different pack. There are an interesting arrangement of straps, hooks, and pads in which to conceal those straps on the rear. Kata thankfully includes a small booklet which describes the many ways this pack can be worn. We particularly enjoyed two of them. Wearing it as a standard backpack was extremely comfortable. There’s a sufficient amount of padding on the rear, and adjusting the straps to bring it closer to your frame is a cinch. The torso / sling approach is quite useful as well. This combines the flexibility of a messenger bar hold with the stability of a backpack hold. You only use a single strap in torso mode, but the pack remains upright on your back; when you want, you simply slide the pack around in front of your stomach, and the side compartment is right there for easy access. Left and right side compartments are here to support left- and right-handed shooters.

Internally, there’s tons of room, and it’s all well arranged. You can easily fit a flash along with two to three lenses on each side compartment, along with three to four more in the center. Accessing those requires the bottom to be unzipped, but it’s not a hassle. There’s also a separate and dedicated top portion; we love the compartments here. Keeping things separate ensures that items don’t slide into a section as you’re shooting, and this approach worked very well for us in the field.

There are two side pockets along the top edge that are separated from the core of the bag; these work very well for holding lens caps, keys, wallets, cellphones, business cards, etc. Of course, the padded laptop sleeve is its own compartment as well, and held our 15-inch MacBook Pro snugly and without issue. You can squeeze two in there back-to-back, but it’s really tight.

Overall, the attention to detail here is just impossible to ignore. The pack is rigid from top to bottom, and it’s almost impossible to knock over. The padded compartments are all easy to access, and we truly felt as if our lenses and peripherals were in good hands within the pack. The ability to wear this in so many different ways gives the 3N1-33 a huge leg-up over the competition, and while it’s compact enough to slide beneath the average airline seat, it’s able to hold quite a load due to it not slimming from bottom to top as most traditional backpacks do.

Just to give you an idea of what will fit in here with ease: a 15-inch laptop, power adapter, 2.5-inch external hard drive, seven USB / connector cables, a Nikon D3s DSLR, 70-200mm f/2.8 lens, 50mm f/1.4 lens, 60mm f/2.8 macro lens, an included Kata rain bag (to protect the entire pack if it starts raining), a bulky D3s charger, two Lensbaby creative lenses, an SB-700 flash, car keys, a stack of business cards, a smartphone and at least two more medium-sized lenses if I wanted. All of this fits in with ease, and while you’ll need a strong back to load it around, the Kata remains comfortable for hours on end, particularly when you can change how you carry it every half hour by just swapping a few clips and redistributing the weight.

This particular Kata has earned our highest recommendations, and that’s saying something. The only people who may not be fond of this bag are those who routinely carry very small camera setups. This is a bag intended for professionals or enthusiasts that enjoy carrying around a robust lens collection and loads of accessories. Kata makes a few smaller versions of this very pack that still maintain the multiple carrying options, so we’d recommend having a look at those (3N1-10, 3N1-11, 3N1-20, 3N1-22 and 3N1-30) if you need something that’s more compact.

At around $130, the 3N1-33 isn’t cheap, but it’s a good value for what you get. Packs are easy to find, even cheap ones. But good packs are hard to come by, and you definitely pay a premium for good design, rigidity, stability and flexibility. This particular bag is also fantastic for traveling; the dedicated laptop compartment as well as the standalone top compartment help to keep things moving when rolling through airport security. Rather than having to dig into multiple places and under mounds of accessories to get your laptop and Bag ‘O Liquids out, you can keep them in their own sections for easy access. For the hardcore travel warriors, there’s even an optional wheel attachment that’ll allow you to roll this bag from gate-to-gate. Our advice here is to skip that and invest in a rugged roll-aboard while keeping this on your back.

If we had any complaints at all (more like recommendations for the next revision), we’d say that there’s a need for a dedicated zippered window on the front compartment, so you don’t have to unzip around the entire bottom just to access some of your lenses that are stored more towards the center of the pack. And while the zippers were as rugged as they come, we’d prefer the yellow found in the interior to be pulled over to those zipper pulls. When you’re shooting a dark reception, having well-lit zipper pulls makes accessing your gear a lot easier. Other than that, we can’t really find anything to nitpick, but we definitely see a need for an even larger version to house 17-inch laptops and even bigger lens collections.