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It's time travel writers stopped stereotyping Africa
Pop quiz: where was this photo taken?OK, the title of this post kind of gives it away, but if I hadn't written Africa, would you have guessed? It was taken in Dar es Salaam, the capital of Tanzania. This isn't the view of Africa you generally get from the news or travel publications--a modern city with high rises and new cars. A city that could be pretty much anywhere. That image doesn't sell.
And that's the problem.
An editorial by Munir Daya for the Tanzanian newspaper The Citizen recently criticized Western media coverage of Africa, saying it only concentrated on wars, AIDS, corruption, and poverty. Daya forgot to mention white people getting their land stolen. If black people get their land stolen, you won't hear a peep from the New York Times or the Guardian. If rich white ranchers get their land stolen, well, that's international news. And look how many more articles there are about the war in Somalia than the peace in Somaliland.
Daya was objecting to an in-flight magazine article about Dar es Salaam that gave only superficial coverage of what the city has to offer and was peppered with statements such as, "Dar es Salaam's busy streets are bustling with goats, chickens, dust-shrouded safari cars, suit-clad office workers and traders in colourful traditional dress."
Daya actually lives in the city and says you won't find many goats and chickens on the streets. But that wouldn't make good copy, would it?
Travel writing has an inherent bias in favor of the unfamiliar, the dangerous. Some travel writers emphasize the hazards of their journey in order to make themselves look cool, or focus on the traditional and leave out the modern. Lonely Planet Magazine last year did a feature on Mali and talked about the city of Bamako, saying, "Though it is the fastest-growing city in Africa, Bamako seems a sleepy sort of place, lost in a time warp." On the opposite page was a photo of a street clogged with motorcycle traffic. If Bamako is in a sleepy time warp, where did the motorcycles come from?
I'm not just picking on Lonely Planet; this is a persistant and widespread problem in travel writing and journalism. Writers, and readers, are more interested in guns than concerts, slums rather than classrooms, and huts rather than skyscrapers. In most travel writing, the coverage is simply incomplete. In its worst extremes, it's a form of racism. Africa's problems need to be covered, but not to the exclusion of its successes.
As Daya says, "there is more to Africa than famine and genocide." There are universities, scientific institutes, music, fine cuisine, economic development, and, yes, skyscrapers.
And if you think Dar es Salaam is the exception rather than the rule, check out Skyscrapercity.com's gallery of African skyscrapers.
Gallery: The Third World?
Filed under: Arts and Culture, Learning, Africa, Mali, Somalia, Tanzania, Ecotourism, Budget Travel












Reader Comments (Page 1 of 1)
pam Jan 21st 2011 10:17AM
An interesting idea, but really, just the tip of the iceberg of this issue. Have you seen the remarkable "why travel writing sucks" video?
http://ianmckee.tumblr.com/post/1431902815/travel-writing-why-it-sucks
Nick Hawkins Jan 22nd 2011 3:14AM
Let's face it - no one wants to write anything other than adopting orphans, safaris, or child soldiers.
Deb Feb 3rd 2011 10:32PM
This is such an important subject! Thanks for addressing it--the problem is that stereotyping "Africa" is tied to such a long history of exploiting the continent and its peoples. The whole idea of going somewhere "exotic" is a social construction that deems "the Western" world as more advanced and Africa/Africans as backward. When I first visited the United States as a child, the most mundane things (like tuna salad and PBJ sandwiches or Trick-or-Treating) were quite exotic to me and I found them very exotic--so whether something or someone is exotic is just a question of prior experience--not anything inherent.
"Africa" has consistently been imagined in US culture often through movies like the perpetual Tarzan remakes with South American jungle as backdrop. It's no coincidence that Edgar Rice Burroughs who invented Tarzan believed that "civilizing" Africans was the white man's burden--his Africa is populated by more animals than humans. And Tarzan has to be raised by apes presumably because their are no humans fit for the job of caring for a British aristocrat or building shelter!? Tarzan's genes make him Lord Greystoke even when raised by animals--that's Burrough's point!
So, it's not just an issue of "exotic travel" but much more about collective consciousness and upholding cultural hierarchy. As an African I don't underestimate the beauty of the African continent's flora and fauna, nor the disease, economic and political realities--but there are slums in Europe and the USA and tourists don't miss seeing the skyscrapers there. Acknowledging African cities and skyscrapers undermines Western fantasies--and chips at longstanding ideas of who is more superior architecturally. Why NOT visit African cities for what they offer? For me, traveling is not just about reinforcing what I already think or reinforcing my expectations.
I don't believe that US cities share the whole story of US culture--the US has vast rural areas that tourists visit--Grand Canyon or Cheyenne for example. Since you have to fly into an African city to get to less urban areas why not show those cities? Seeing images of London or Rome doesn't stop tourists from visiting the countryside! So, perhaps we need to talk more about the backstory of why we edit urban Africa and Africans!
Thanks again.
http://bit.ly/Quintess
Heather (the kiwitravelwriter) Jan 23rd 2011 5:48PM
Travel writing is many things to many people: some writers are advertising where to stay and eat - I don't write guides like that (but many papers want all that info)
What I write is what I see and what is different or interesting to me, and hopefully other readers. It is the different, unusual jumps out to the traveller, especially in the first few days, and that's where we point our camera and attention. Unfortunately that leads to stereotypes and this is exacerbated when so-called writers interview their computers - regurgitating others written stereotypes. ( My birthplace, Christchurch New Zealand, is particularity vulnerable to being classified as English - and when I see the UK I wonder exactly what part my city is like!)
I try to only read stories from people who have actually been to places ... but even then they (and, we and I ) can get it wrong! I read travel guides to New Zealand and see many mistakes of history and place so I just assume that those mistakes are made about places I'm reading about too.
So, don't think everything you read, ( or that I have written) is the the whole truth --- we can only write 400, 800, or 1000 words about a topic that needs a book! all i can do is present my view of a place, sometimes using those very stereotypes to prove the opposite - just as I did in my book about the so-called 'uncaring' nature of New Yorkers that other Americans had warned me about.
I present travel writing workshops and tell participants "millions see the Taj Mahal, only you can write about your version, your truth, of the day" and that's what good writers do, write about their experience ... unless they are paid for by PR companies.
now I must check out the link about "travel writing sucks"!!!
Michael Luongo Jan 24th 2011 9:22AM
Very interesting....I really don't know sub-Saharan Africa, but have written on "dangerous" places actually not so dangerous and have had to say to editors what previous writers have said about the danger they encounter is really not true...personally though I do prefer places few tourists visit as they are more interesting......Mike Luongo