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Outback Australia: Disappointment in the Tiwi Islands

When visiting a colonized country, it is difficult to ignore many of the social and economical inequities that exist. Australia is no different. Much like the United States, Australia's history of dealing with the indigenous peoples is checkered at best and downright awful at worst. Native cultures have been marginalized, victimized - read up on the Stolen Generations - and subjected to both institutionalized and socialized racism for centuries. The climate has changed in recent years thanks to activist groups and improved government policies, but the poverty and stigmas that past practices created still linger. Cultural tourism has provided new sources of income for many aboriginal communities, but that often leads to commercialization and exploitation. And nowhere is that more evident than on the Tiwi Islands.
Gallery: Tiwi Islands
Located a mere 80km north of Darwin, the Tiwis are comprised of Melville Island and the smaller Bathurst Island. The local Tiwi people are culturally distinct from the native people of mainland Australia. Ferries shuttle passengers to and from the islands via Darwin, and charter flights make the trip in about 30 minutes. And the only way to tour the islands is via Tiwi Tours, which is owned and operated by the Tiwi Land Council (though they lease the operation to Aussie Adventure Holidays, a privately-owned venture).
I visited Bathurst Island with Tiwi Tours and was cautiously optimistic before the trip. I'm always skeptical of organized cultural tours as they often end up being forced reproductions of ceremonies that result in me feeling more guilty than educated. The last thing I want as a traveler is for people to pander to me or disrespect their traditions for the sole purpose of entertaining visitors. Whether the operation is owned by the local people or not, the resulting experience is more exploitative than authentic. Buoyed by the knowledge that all the guides on Tiwi Tours are of Tiwi decent and that we'd be speaking with island locals over morning tea, I boarded the propeller plane and enjoyed the views on the way to Bathurst Island.
Upon landing, we met our Tiwi guide, Trevor, and our white driver, Rod. We boarded our bus and proceeded into the island's interior. Our first stop was the local history museum which houses artifacts of the island's rural past and Catholic missionary experiences. Trevor did an adequate job of explaining both the Dreaming of the Tiwi people, as well as their dances, hunting practices and general history. Our time there was short, if not rushed, and it was difficult to absorb the abundance of information.
It was at morning tea, however, that the tour revealed itself as the faux cultural experience I had feared. We met several Tiwi women who explained the various dances that are used to celebrate auspicious events. They then demonstrated these dances in front of the tour group in celebration of nothing more than the attendance of another group of paying customers. We then watched as they painted their faces and those of their young children while offering limited explanation of the nature of the custom. The vast majority of tourists looked on in amazement while I struggled with feelings that ranged from unease to guilt.Watching the women and children dance and sing for our amusement, with limited educational or cultural content, was beyond inauthentic. It was pandering. The same can be said for the myriad art galleries that are part of the tour. Guests are encouraged to purchase the works of local artists, though it seems that any Tiwi who wants to come to the art centers and paint a picture can be called an artist. By no means am I diminishing Tiwi or aboriginal art, but I have a hard time believing that anyone who picks up a brush is automatically an artist telling a story. Many of the artists are simply impoverished and unemployed locals hoping to make some money from tourists. Several of the installations are managed by whites, which only emphasizes the exploitative nature of the experience.
A positive highlight of the tour was the visit to the former Catholic mission. The church was a unique hybrid of Tiwi and Catholic liturgy and that is evidenced by the ornamentation that is evident in the structure. Figurines of Jesus sit next to depictions of Tiwi Dreaming spirits. And the church complex is also home to a fascinating piece of WWII history. The radio shack on the site was used by the priest to warn Darwin of the first incoming Japanese war planes. The planes flew directly over the Tiwis and the priest attempted to warn the mainland of the impending invasion. His calls for vigilance were ignored, however, and Japan struck a deadly opening salvo on Australian soil.Overall, Tiwi Tours strive to both educate and bring much needed income into the struggling communities of Bathurst Island. However, the emphasis is clearly on the latter at the expense of the former. While I appreciate their desire to operate a revenue-generating venture in the Tiwis, the cultural costs seemed excessively steep. I would much prefer to attend several discussion groups with locals and be invited to attend an authentic ceremony than have contrived activities thrown in my honor simply because I had a ticket granting admission.
As always, cultural tourism can often have positive intentions that are lost in the execution. Tiwi Tours does seem to have the best interests of the people and history in mind. But more effort is needed to avoid turning Bathurst Island into a depressing Epcot Center version of its former self.
Mike Barish traversed the Outback on a trip sponsored by Tourism Northern Territory. He traveled alone and had no restrictions on what he could cover during his travels. That would explain how he ended up eating water buffalo. You can read the other entries in his Outback Australia series HERE.












Reader Comments (Page 1 of 1)
pam Oct 9th 2009 11:25AM
Are you familiar with the Polynesian Cultural Center on Oahu? That place just fried my brain. It's a facility designed to showcase the dance, art, craft, culture of the people of the Pacific and it's... run by the Mormon church. A friend of mine called it "the human zoo." I didn't have that strong of a reaction to it, the people were SO nice and really, the entertainment was, well, entertaining, but I felt horribly uneasy the entire time I was there. Imagine your own culture displayed like this, where would you be? How would you feel?
Mike Barish Oct 9th 2009 11:27AM
I've seen pictures and video of that culture center and they've always made me cringe. While I appreciate the stated goal of these places to educate the public, it is all done in such contrived situations that it is more spectacle and circus-like than instructional.
Thank you for sharing your experience.
Dave Oct 9th 2009 1:20PM
Your experience reminds me of my own on a Hill Tribe trek in northern Thailand - culturally disappointing, though you still look for the positives you can gain from investing the time and energy.
Jamie Rhein Oct 9th 2009 2:00PM
Mike, interesting insights. Here's the rub. As an outsider it is almost always impossible to find an authentic experience. There's also the issue of how to generate income which you've touched upon. It's a difficult question.
Also, maybe the authentic experience ought to be reserved for the people who are actually from the place.
When I was a Peace Corps volunteer any world traveler drove me nuts.
Mike Barish Oct 9th 2009 2:02PM
Jamie-
I couldn't agree with you more that the truly authentic experiences should not be shared unless you are personally invited by them (which is always a blassing if you have the opportunity to make friends and be welcomed into someone's home).
Absent that type of experience, I would much rather attend a lecture about someone's culture than have them put on a faux ceremony on my behalf.
mb
Jamie Rhein Oct 9th 2009 2:33PM
For me, I think it's the intention behind the experience and how people who are from that culture think about it.
These are great thoughts to ponder.
Mike Barish Oct 9th 2009 2:34PM
A valid point. And worthy of a more fruitful conversation.
Next time our paths cross we'll have to chat more.
Josh Oct 10th 2009 9:32PM
Hey Mike. I couldn't agree with you more as I had the exact same reaction to the Tiwi Tour. My tour was a bit longer and encompassed a second island, but the guilt you felt at morning tea was present for me throughout. Horrible. The best intentions have failed big time off the coast of Darwin.
Jangari Oct 11th 2009 6:36PM
Your disappointment is probably justified; but it's not easy to shoehorn Australian indigenous cultures into the tourism rubric. Many of the ceremonies that take place probably weekly up on the Tiwi Islands are highly culturally sensitive. I suppose what you saw was a sanitised demonstration of one of the ceremonies, but unfortunately, that's about as good as you can expect given the circumstances from a commercially operated tour. This is a necessary fact about tourism; it's a facade. If you want to see the real world, you have to leave the tourbus and actually interact with it.
Paul Oct 21st 2009 8:56PM
Hi Mike.
I'm an Australian and I've spent a lot of time in PNG, Indonesia, Fiji and elsewhere and I don't disagree that in a lot of situations the tourism could be handled better. And sadly as you have seen that also includes the Australian Aborigines.
However, I feel that your comments regarding 'anyone who picks up a paintbrush being called an artist' shows a little bit of ignorance on your part.
The Australian Aborigines are one of the oldest cultures on the planet - over 40,000 years - and paintings are and always have been an integral part of their storytelling, a way to pass down through generations the stories of the dreamtime. It is a natural and integral part of their culture - and it is arrogant of you to imply 'how dare they sell their paintings' when it is as part of their soul and identity as a nation and people. I would liken it to anyone being able to publish their stories in Readers Digest or sell them to a tabloid magazine - it does not make them an 'author' as such but they are still getting money from it. As another example - I'm a keen photographer - not a professional by any means but some of my photos are good enough to sell - but does that mean I shouldn't because there are others (professionals) who are better than me?
Paul