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Through the Gadling Lens: the latest, greatest shots from the Gadling Flickr pool
And so, on with the show:
1. Capture the ambiance the weather gives to the scene.
I love the image above, captured and shared by AlphaTangoBravo/Adam Baker, primarily because of the way he totally captured the mood of the scene as the two surfers venture out to capture their first (last?) waves of the day. The way he does this? Buy shooting into the sun, he draws your attention to how bright the day was, and the cloudless sky. In addition, he makes sure to crop the image so that the long shadows of each of the surfers, giving you some clue as to the time of the day that the image was shot. In addition, notice that there are no other people in the shot, other than the two friends in the shot -- it gives the feeling that there are no other people in the world other than the two men. Fabulous capture.
2. If there's something particularly stunning about the day, don't forget to capture it.
In the same spirit as the first image in this post, this shot shared by insEyedout does a great job of featuring what was most stunning about his visit to The White House, in Washington D.C. -- the amazing weather. The difference in this case, however, is instead of shooting into the sun (which, admittedly, can damage your sensor if you do it too often, so shoot into the sun sparingly), he uses the glow of the sunlight off of his companion's shoulders to communicate the bright sky. And speaking of sky, look at that amazing blue! I also love how he doesn't take your focus off of the sky, by shooting from behind his friends -- had the women in the shot been facing us, you might not have noticed the sky, in favour of looking at their faces or smiles. Well done.
3. Look for patterns.
I love this photograph of the Painted Desert in Arizona, shared by Ash Crowe -- and one glance makes it pretty apparent why, I think. Obviously, the coloured striations within the rock formations are pretty spectacular; however, how amazing is it that the pattern repeats itself in the cloud formations in the sky? One of the coolest things that you can do when taking any sort of landscape or scenery shots is to look for any sort of patterns within the frame of the shot -- patterns always create interest. Really fantastic shot.
4. Don't forget about flora and fauna.
While we're still outside, just a reminder not to forget the flora and the fauna. Because, seriously, do I even need to explain why this image shared by fiznatty is so amazing? This is one of those once-in-a-lifetime type images, captured in Yellowstone National Park in Wyoming.
A note about taking photographs of wildlife: obviously, the best way to make it happen is to gain trust -- and many times, this means being very still, and being very patient. Also, be sure you don't take risks: it's not a great idea to touch wild animals, and remember -- when cute babies like the above are around, mom and dad may not be far behind.
5. Do a bit of preparation for fabulous interior shots.
If you're going somewhere with tons of architectural history, you're likely going to want to take some interior shots, like the amazing one of the stained glass windows in Sainte Chappelle in Paris, shared by Amy Mengel, above. In my experience, shots like these are possible if you pay close attention to the light that is falling inside the building. In essence, this means:
- Turn off your flash. Particularly when shooting inside a church or cathedral -- your flash is going to wash out the vibrant colours of the glass.
- You will likely have to up the ISO setting in your camera, unless you happen to have a tripod on you. Remember, if there's low light, you'll want a higher ISO setting; if the area is brightly lit, then you can get away with a lower setting (click here for a quick review on ISO). Play with your setting and take a few shots to find the best one.
- If your camera has a white balance setting (sometimes indicated by "WB"), then adjust accordingly before you take the shot. In essence, this means evaluating what the main light source is in the room -- incandescent light (which can make your resulting photograph yellow), florescent light (which can make your resulting photograph green) or natural light. Consult your camera manual beforehand to learn how to adjust white balance.
6. Don't be afraid of movement.
I love this image shared by t3mujin of a typical tram in Lisbon, and it teaches a valuable lesson: not all out-of-focus images are bad. The blur of the vehicles in this photograph convey speed and movement, which help you to place yourself right there on the busy street corner. Also, I love the use of colour in this image -- all of the colours in this shot are generally bland and neutral, save for the bright yellow pop from the paint colour on the front of the tram. Fantastic.
A tip on how to create a great blurry shot? Just shoot and shoot and shoot -- keep clicking from the same and different vantage points over and over again. Mere statistics will tell you that you'll end up with at least one shot that you'll be pleased with.
7. Don't forget to look up.
I absolutely adore this image shared by tysonwilliams.com of an intersection in Florence, Italy, particularly because it teaches a valuable lesson: don't forget to look up! The beauty of this shot is that the negative space (the space between the buildings) communicates the narrowness of the streets and exactly how the streets flow without ever actually showing you the images. In addition, the tall buildings convey the feeling of being closed in amongst all the architecture. And finally, I love how the image is framed so that the intersection isn't straight up-and-down, but instead, at an angle, providing visual interest. A beautiful shot.
8. Don't be afraid to shoot at night.
And finally, don't forget that cities can be absolutely stunning at night, as evidenced by this really beautiful shot shared by macdonaldj2wit of the Washington Monument. The easiest way to take an amazing shot like this is as follows:
- Look for a location with lots of points of light, to create visual interest -- traffic lights, car lights, whatever.
- Set your camera on automatic or program mode.
- Set your ISO as low as possible, and the affix your camera to a tripod or rest it on a very level surface.
- Turn on your camera's self-timer.
- Focus the shot, and press the shutter, and then step away from the camera.
So, how was that for a few stunning images? If you've got a few great images you'd like to share (or tips that you think might be valuable), please feel free to leave them in the comments section below. And as always, if you have any questions, you can always contact me directly at karenDOTwalrondATweblogsincDOTcom - and I'm happy to address them in upcoming Through the Gadling Lens posts.
Karen is a writer and photographer in Houston, Texas. You can see more of her work at her site, Chookooloonks.
Through the Gadling Lens can be found every Thursday right here, at 11 a.m. To read more Through the Gadling Lens, click here.